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Geraldine Chaplin Net Worth

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What is Geraldine Chaplin’s Net Worth?

Geraldine Chaplin is an American actress who has a net worth of $20 million. Geraldine Chaplin had her breakthrough role in the 1965 historical epic film “Doctor Zhivago.” She went on to have a prolific career following that, with notable film credits including “Nashville,” “Welcome to L.A.,” “Life is a Bed of Roses,” “Ana and the Wolves,” and “The Orphanage,” among many others. On television, Chaplin portrayed Wallis, Duchess of Windsor in the third season of the Netflix series “The Crown.”

Early Life

Geraldine Chaplin was born on July 31, 1944 in Santa Monica, California as the fourth of eight children of filmmaker and actor Charlie Chaplin and his wife Oona O’Neill. When she was still young, she went on vacation with her family to Europe. Unable to come back to the United States due to a federal order prohibiting the reentry of Chaplin’s father, the family ended up moving to Switzerland. There, Chaplin attended a boarding school and became fluent in Spanish and French.

At the time of his death in 1977, Charlie Chaplin’s net worth was $100 million. That’s the same as around $400 million in today’s dollars. Geraldine’s mom Oona was the sole beneficiary.

Career Beginnings

At the age of 17, Chaplin chose to forgo college to pursue a career in dancing. She went on to study ballet in England and dance professionally in France. Soon, however, she gave up ballet and turned to modeling.

Film Career, Part 1

Chaplin first appeared on the big screen in an uncredited role in her father’s 1952 film “Limelight.” She didn’t return to film acting until 1965, when she had her breakthrough role playing Tonya Gromeko in David Lean’s historical epic “Doctor Zhivago.” Also that year, Chaplin appeared in Jacques Deray’s crime film “Crime on a Summer Morning.” She was subsequently in such films as “We’ll Go to the City,” “I Killed Rasputin,” “Stranger in the House,” and her father’s “A Countess from Hong Kong.” In 1967, Chaplin starred in the psychological thriller “Peppermint Frappé,” her first of many films directed by Carlos Saura. Concluding the decade, she starred in two Saura films, “Stress is Three” and “Honeycomb.”

Beginning the 70s, Chaplin starred opposite Charlton Heston in “The Hawaiians.” She followed that with “Perched on a Tree,” “Innocent Bystanders,” “Z.P.G.,” and “A House Without Boundaries.” In 1973, Chaplin reunited with Saura to star in “Ana and the Wolves”; also that year, she appeared in “The Three Musketeers” and “Yankee Dudler.” Chaplin was next in “The Four Musketeers.” Her career picked up during the middle of the decade, with notable roles in Saura’s “Cría Cuervos” and Robert Altman’s “Nashville,” for which she earned a Golden Globe Award nomination for Best Supporting Actress. In 1976, Chaplin reunited with Altman for his Western “Buffalo Bill and the Indians, or Sitting Bull’s History Lesson,” and also appeared in “Welcome to L.A.” and “Noroît.” Her subsequent credits in the 70s included “Roseland”; “Remember My Name”; “One Page of Love”; Altman’s “A Wedding”; and Saura’s “Elisa, Vida Mía,” “Blindfolded Eyes,” and “Mama Turns 100.”

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Film Career, Part 2

In the 80s, Chaplin appeared in many French films, including “Voyage en Douce”; “Love on the Ground”; “Les Uns et les Autres”; and Alain Resnais’ “Life is a Bed of Roses” and “I Want to Go Home.” She was also in the British films “The Mirror Crack’d,” “White Mischief,” and “The Return of the Musketeers,” as well as the American film “The Moderns,” which is set in 1920s Paris. In the early 90s, Chaplin appeared in “Gentille Alouette,” “The Children,” “Buster’s Bedroom,” and “Off Season.” She also had a memorable, Golden Globe-nominated role in the biographical film “Chaplin,” playing her own grandmother Hannah. Following that, her credits included “A Foreign Field”; “The Age of Innocence”; “Words Upon the Window Pane”; “Home for the Holidays”; “Jane Eyre”; “Os Olhos da Ásia; and “Crimetime.” In the late 90s, Chaplin was in “Cousin Bette,” “To Walk with Lions,” and “Beresina, or the Last Days of Switzerland,” among other titles.

Chaplin appeared in several Spanish-language films throughout the 00s. Early in the decade, she was in “The Faces of the Moon,” “Talk to Her,” and “In the City Without Limits,” the lattermost of which earned her the Goya Award for Best Supporting Actress. Chaplin’s subsequent Spanish-language credits included “The Orphanage,” “Theresa: The Body of Christ,” “Miguel y William,” and “Diary of a Nymphomaniac.” She also appeared in “Heidi,” “BloodRayne,” “Melissa P.,” “Boxes,” “Inconceivable,” and “Parc,” among other international films. Kicking off the 2010s, Chaplin was in such films as “The Wolfman,” “There Be Dragons,” and “The Mosquito Nest.” In 2011, she had roles in titles including “The Monk,” “Americano,” and “All Together.” Chaplin’s other notable credits have included “The Impossible”; “Sand Dollars”; “The Forbidden Room”; “Red Land”; “Holy Beasts”; and “The Barefoot Emperor.”

Television Career

Chaplin’s first major television credit came with the 1971 West German television film “Carlos.” Two years after that, she starred as Egyptian queen Nefertiti in the Mexican television short film “Nefertiti y Aquenatos.” Later in the decade, Chaplin was in the miniseries “The Word” and the television film “Short Letter to the Long Goodbye.” Her credits in the 80s were the television films “The House of Mirth” and “The Corsican Brothers” and the miniseries “My Cousin Rachel.” Chaplin appeared in more television films in the 90s, including “Duel of Hearts,” “Mary, Mother of Jesus,” and “Mother Teresa: In the Name of God’s Poor,” in which she portrayed the titular nun. She was also in the miniseries “Gulliver’s Travels” and “The Odyssey.”

At the dawn of the new millennium, Chaplin appeared in the miniseries “In the Beginning” and “Dinotopia.” In 2004, she appeared in a television film adaptation of “A Christmas Carol.” Later on, Chaplin was in the French miniseries “Beyond the Walls.” In 2019, she portrayed Wallis, Duchess of Windsor in the third season of the Netflix historical drama series “The Crown.”

Personal Life

With her longtime collaborator Carlos Saura, Chaplin had a son named Shane in 1974. She later had a relationship with cinematographer Patricio Castilla, with whom she had a daughter named Oona in 1986. Oona is also an actress. Chaplin and Castilla married in 2006.



Celebrity Net Worth

Terry McMillan Net Worth

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What is Terry McMillan’s Net Worth?

Terry McMillan is an American author who has a net worth of $10 million. Terry McMillan is known for writing about the experiences of middle-class black women in the United States. After making her debut with “Mama” in 1987, she rose to national fame in 1992 with “Waiting to Exhale,” which was later adapted into a major motion picture. McMillan had further success with her novels “How Stella Got Her Groove Back,” “A Day Late and a Dollar Short,” and “Getting to Happy,” among others.

Early Life and Education

Terry McMillan was born on October 18, 1951 in Port Huron, Michigan. For her higher education, she went to the University of California, Berkeley, from which she graduated in 1977 with a Bachelor of Arts in journalism. McMillan went on to attend graduate school at Columbia University, where she earned her Master of Fine Arts.

First Books

McMillan released her first book, “Mama,” in 1987. Because her publisher did little to promote the title, she took it upon herself to market her work by sending letters to thousands of booksellers throughout the country. McMillan focused her efforts particularly on African-American bookstores, and she was so successful that “Mama” eventually sold out of its original first hardcover prints. Following this, McMillan penned “Disappearing Acts,” which was published by Penguin Group in 1989. The novel went on to become a New York Times bestseller. In 2000, “Disappearing Acts” was adapted into an HBO television film directed by Gina Prince-Bythewood and starring Wesley Snipes and Sanaa Lathan. After penning her first two novels, McMillan served as the editor of “Breaking Ice: An Anthology of Contemporary African-American Fiction,” published in 1990.

Waiting to Exhale

In 1992, McMillan achieved her greatest critical and commercial success yet with her third book, “Waiting to Exhale.” Revolving around a group of four Arizona women and their interpersonal and romantic relationships, the book was significant for showcasing a candid, authentic view of middle-class black womanhood in contemporary America. Through the book, McMillan was credited with exploring and celebrating the lives of black female professionals in a way that had rarely been done in popular culture. Moreover, she was credited with influencing the progression of the woman-oriented R&B movement. “Waiting to Exhale” became a New York Times bestseller, and was adapted into a hit film in 1995. Notably, the film marked the directorial debut of Forest Whitaker, and starred Angela Bassett, Whitney Houston, Loretta Devine, and Lela Rochon as the four main protagonists.

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Further Books

Following the success of “Waiting to Exhale,” McMillan wrote “How Stella Got Her Groove Back,” which was released in 1996. Another New York Times bestseller, the book was adapted into a 1998 film with Angela Bassett, Whoopi Goldberg, Regina King, and Taye Diggs in his feature film debut. Next, McMillan penned the 2001 novel “A Day Late and a Dollar Short,” about a dysfunctional family living in Las Vegas in the 90s. Told from the perspectives of six different members of the central family, the book was notable for taking on a number of taboo subjects, including incest, substance addiction, divorce, and homosexuality. Like McMillan’s prior two works, “A Day Late and a Dollar Short” was adapted into a film, this time for the television channel Lifetime. Originally aired in 2014, it starred Whoopi Goldberg, Ving Rhames, Kimberly Elise, Anika Noni Rose, Mekhi Phifer, and Tichina Arnold.

In 2005, McMillan released the novel “The Interruption of Everything,” about an overworked mother of three trying to juggle her personal and professional lives. The following year, McMillan released a non-fiction book entitled “It’s OK if You’re Clueless: and 23 More Tips for the College Bound.” Her next book, “Getting to Happy,” came out in 2010. A sequel to the hit “Waiting to Exhale,” it picks up 15 years after where that book left off. McMillan’s other novels have included 2013’s “Who Asked You?,” 2016’s “I Almost Forgot About You,” and 2020’s “It’s Not All Downhill From Here.”

Personal Life

McMillan married her husband Jonathan Plummer in 1998. After he came out as gay, the couple divorced in early 2005. McMillan has a son named Solomon.

Previously, McMillan resided in a 7,000-square-foot home in Danville, California. She sold the property in 2012 for $2 million and moved to Los Angeles.



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Celebrity Net Worth

Sanctioned Russian Billionaire Dmitry Pumpyansky’s Yacht, Estimated To Be Worth $75 Million, Sells For Half That

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Many Russian billionaires have had their assets seized by governments looking to sanction their alleged ties to Vladimir Putin and the Russian invasion of Ukraine. Now, The Guardian reports that one craft, actually seized by the Gibraltar government by way of a legal request from investment bank JP Morgan, has finally made it all the way to the auction block, where it sold for significantly less than its estimated value.

An unnamed buyer has gotten the bargain of a lifetime in the Axioma, which had formerly belonged to sanctioned Russian oligarch Dmitry Pumpyansky. The 72.5-meter craft is loaded with such amenities as a swimming pool, a 3D movie theater, a gym, and more, but that didn’t save its auction prospects from a significant discount. The Axioma, estimated to be worth some $75 million, sold for precisely half that amount – $37.5 million.

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Since it was JP Morgan that called for the seizure following Pumpyansky’s automatic default of a $19.6 million loan payment in the wake of his having been sanctioned, $19.6 million of the sale price will be going to repay that loan. And Gibraltar’s Office of the Admiralty Marshal said in a press statement that the court would determine what is to be done with the remaining funds.

The Axioma is the work of famed superyacht designer Alberto Pinto, and it was built in Turkey in 2013. It had previously been made available for charter by those who could afford the price of $558,500 per week. The charter listing described the boat like this:

“With its luxurious interiors, vast array of onboard facilities and a highly trained and professional crew, a luxury yacht vacation onboard motor yacht Axioma promises to be nothing short of spectacular.”

Now, the five-deck, six-cabin Axioma belongs to an anonymous buyer, who won out against a reported 63 other bidders. There are no plans at this point for the buyer’s identity to be disclosed, according to the Office of the Admiralty Marshal.



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Phil Collins And Fellow Genesis Members Sell Music Rights For $300 Million

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The latest revered music act to close a deal for their music catalog are the members of Genesis, including Phil Collins, Mike Rutherford and Tony Banks, in a deal that includes the catalog of both the band itself and their respective solo work. The Wall Street Journal reports that the deal between the British rockers and Concord Music Group, Inc. was worth $300 million.

The deal comes as Concord has been previously considering selling itself, and includes “a mix of recorded music income streams and masters” belonging to the prog-rock legends. The company had a pre-existing business relationship with Collins and the rest of Genesis, having bought out Imagem Music Group in 2017, and according to Concord President Bob Valentine the deal sprang from that relationship.

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Valentine also says in a press statement that the company has big plans for getting the Genesis catalog in front of a new audience:

“In the world we live in today with Facebook, Instagram, TikTok, all these things that drive consumption of older music, there are definitely ways for us as a record company to bring some of this music back to life.”

Whether the kids on TikTok might be jamming out to “I Can’t Dance” in the near future remains to be seen, but the deal does bring Genesis into a corporate fold that includes the Rodgers & Hammerstein and Kidz Bop catalogs, while Concord also counts artists like Mark Ronson, Daft Punk, St. Vincent and Nine Inch Nails among its represented clients.

The market for such big-ticket sales of music catalogs has cooled somewhat in recent years, but not before artists like Bob Dylan, Bruce Springsteen, Tina Turner and more. Valuations of streaming rights in particular got a jolt from the covid-19 pandemic as more and more people were listening to music at home. But now, WSJ says, investors are beginning to grow more cautious, which could be why this $300 million deal includes so much material under its umbrella.



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